Let the Great World Spin

March 9, 2009
McCann's sweeping new novel hinges on Philippe Petit's illicit 1974 high-wire walk between the twin towers. It is the aftermath, in which Petit appears in the courtroom of Judge Solomon Soderberg, that sets events into motion. Solomon, anxious to get to Petit, quickly dispenses with a petty larceny involving mother/daughter hookers Tillie and Jazzlyn Henderson. Jazzlyn is let go, but is killed on the way home in a traffic accident. Also killed is John Corrigan, a priest who was giving her a ride. The other driver, an artist named Blaine, drives away, and the next day his wife, Lara, feeling guilty, tries to check on the victims, leading her to meet John's brother, with whom she'll form an enduring bond. Meanwhile, Solomon's wife, Claire, meets with a group of mothers who have lost sons in Vietnam. One of them, Gloria, lives in the same building where John lived, which is how Claire, taking Gloria home, witnesses a small salvation. McCann's dogged, DeLillo-like ambition to show American magic and dread sometimes comes unfocused—John Corrigan in particular never seems real—but he succeeds in giving us a high-wire performance of style and heart.

May 1, 2009
The famous 1974 tightrope walk between the World Trade Center towers is a central motif in this unwieldy paean to the adopted city of Dublin-born McCann (Zoli, 2007, etc.).

Told by a succession of narrators representing diverse social strata, the novel recalls Tom Wolfe's The Bonfire of the Vanities (1987), except that where Bonfire was deeply cynical about Reagan-era New York, McCann's take on the grittier, 1970s city is deadly earnest. On the day that"the tightrope walker" (never named, but obviously modeled on Philippe Petit) strolls between the Twin Towers, other New Yorkers are performing quieter acts of courage. Ciaran has come from Dublin to the Bronx to rescue his brother Corrigan, a monk whose ministry involves providing shelter and respite to an impromptu congregation of freeway underpass hookers. Corrigan chastely yearns for Adelita, his co-worker at a nursing home. Claire, heiress wife of Solomon, a judge at the"Shithouse" (Manhattan criminal court), has joined a support group of bereaved mothers whose sons died in the Vietnam War. With much trepidation, she hosts the group—including Gloria, Corrigan's neighbor and the only African-American member—at her Park Avenue penthouse. Two of Corrigan's prostitute flock, Jazzlyn and her mother Tillie, are picked up on an outstanding warrant, and he accompanies them to their arraignment in Solomon's courtroom, where the newly arrested sky-walker is among those waiting to plead. Cocaine-addled painters Blaine and Lara, once again fleeing the Manhattan art scene, also flee the accident scene after their classic car clips Corrigan's van from the rear as he's driving Jazzlyn home. (Tillie, having taken the rap for her daughter, is in jail.) Peripheral characters command occasional chapters as well, and this series of linked stories never really gels as a novel.

Unfocused and overlong, though written with verve, empathy and stylistic mastery.

(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from May 1, 2009
After the rigors of Zoli (2007), his historical tale of Romani life, best-selling literary novelist McCann allows himself more artistic freedom in his shimmering, shattering fifth novel. It begins on August 7, 1974, when New Yorkers are stopped in their tracks by the sight of a man walking between the towers of the World Trade Center. Yes, its Philippe Petit, the subject of the Academy Awardwinning documentary Man on Wire and one of McCannsmany intense andvaliant characters.Thecast also includes two Irish brothers: Corrigan, a radical monk, and Ciaran, who follows him to theblasted Bronx, where he encountersresilient prostitute Tillie and her spirited daughter Jazzlyn. Gloria lives in the same housing project, and she befriends Claire ofPark Avenueas they mourn the deaths of their sons in Vietnam. McCanns hallucinatory descriptions of a great city tattooedand besmirched with graffiti, blood, and drugs in the midst of a financial freefall are eerie in their edgy beauty, chilling reminders ofhow quickly civilization unravels. Here, too, are portals ontowar, the justice system, and the dawning of the cyber age. In McCanns wise and elegiac novel of origins and consequences, each of his finely drawn, unexpectedly connected characters balances above an abyss, evincing great courage with every step.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)