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Elements of Style

A Novel

Audiobook
1 of 1 copy available
1 of 1 copy available
From the Pulitzer Prize-winning playwright and author of the essay collection Shiksa Goddess (“Utterly delicious”—Judith Thurman), a dazzling debut novel, a comedy about New York’s urban gentry living in a post-9/11 world—the arbiters of fashion and the doyennes of charity balls; about the rich and the nouveau rich(er), the glamorous and the desperate to be.
We meet Francesca Weissman, the Upper East Side pediatrician rated number one by Manhattan magazine, who takes us into the upper strata of privilege and aspiration (she’s originally from Queens with a father in hosiery; life on the fringes of glittering New York is fine with her) . . . Samantha Acton, thoroughbred descendant of the Van Rensselaers and the Carnegies, who defines the social order in the great tradition of Mrs. Astor and Babe Paley . . . Judy Tremont from Modesto, California, daughter of a cop—her life’s work, her obsession, is New York society and its richest families . . . Barry Santorini, Republican, moviemaker, winner of twelve Oscars, and his wife, the Italian supermarket heiress and former media rep for Giorgio Armani . . . and many more.
As Elements of Style opens out, we see a madcap mosaic of the social lives and mores of twenty-first century Manhattan—of romance, work, family, and friendship. Satiric, fierce, touching—and deliciously Wasserstein.
“Pure Wendy! She effortlessly makes the leap from stage to page with a novel that is loving, compassionate, flat-out funny. Wendy loved the word ‘scintillating,’ which is the best way to describe her stunning Elements of Style.
—John Guare
“Wasserstein gets the trappings and tribulations (of friendship and of romance) right, making her depiction of the rich and fab trying to connect with one another witty and entertaining.”
Publishers Weekly
“Bold, nimble, and funny to its fingertips, Elements of Style is a delight, a triumph. A book that no self-respecting New Yorker should be without. Those cursed with the hell of multiple residences will self-evidently need several copies—and spares, for houseguests.”
—Flora Fraser
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    • Publisher's Weekly

      July 10, 2006
      Nixon (Sex and the City
      ) crafts tones and speech patterns for Wasserstein's Upper East Side rich and famous that simultaneously satirize and humanize them. She manages to individualize characters who are, finally, too stereotypic to hold up. Their egotism grows annoying, their race and class attitudes predictable, their divorces and mate swaps dreary. It's difficult to know whether to fault the author or the abridger, though one has no sense of missing sections or passages. All that said, this is Wendy Wasserstein writing. From the double entendre of the title—literary craft vs. fashion and social climbing—we enjoy the irony, humor and moral outrage that move like undertow. Janet Maslin aptly described the book as "chick lit with a chill and a pedigree," and Nixon makes the most of the best of Wasserstein's writing. Wasserstein's plays are superb; her first (and, sadly, only) novel, while entertaining, falls short. With her wicked wit, emotional and sociological insight, and perfect ear for dialogue, she would surely have written many more marvelous plays and, no doubt, some wonderful novels. What a loss! Simultaneous release with the Knopf hardcover (Reviews, Jan. 16).

    • Library Journal

      January 1, 2007
      Pulitzer Prize-winning playwright Wasserstein's only novel is witty, entertaining, cutting, and clever, with compelling social criticism. Taking place in post-9/11 New York City, this is a satiric tale of good vs. superficial, about the lives, dealings, and deception of New York's Upper East Side socialites. From both old money and nouveau riche, their existence seems to center around designer labels, chic shoes, fundraising, interior designers, and "hot" restaurants and resorts. Born in Queens, Frankie Weissman, the female protagonist, is an Ivy League Fifth Avenue doctor with a stern social conscience who lives modestly. She works diligently for a living treating the children of her social peers as well as the disadvantaged in East Harlem. She is lonely, frumpy, single, funny, and insightful. Throughout the story, the characters' lives change, danger imposes, crisis happens, couples swap partners, and later reconcile. The critical message here is that social power, style, and money do not ultimately protect anyone. Wasserstein was wonderfully funny, talented, and much-admired; she died last year of lymphoma at the age of 55. Read by Kathe Mazur, "Elements of Style" is an entertaining chick-lit novel filled with wit, humor, and sadness. Recommended for popular fiction collections.Carol Stern, Glen Cove P.L., NY

      Copyright 2007 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      January 16, 2006
      In the classic primer that Pulitzer Prize–winning playwright Wasserstein (The Heidi Chronicles
      ) names her dishy first novel after, Strunk & White note, "Style not only reveals the spirit of the man but reveals his identity." Wasserstein tries to apply that aphorism to Manhattan's wealthy elite shortly after 9/11. Upper East Side pediatrician Francesca "Frankie" Weissman doesn't have quite as much disposable income as the Manolo moms and Bonpoint babies that frequent her office. She's drawn into the city's circles of old and new money, including those of blue-blooded Samantha Acton; reinvented Californian Judy Tremont; and self-made film mogul Barry Santorini, son of a South Philly cobbler. As mothers stockpile Cipro and gas masks after 9/11, none of them stops believing that "life could be controlled if only you had the right resources." As the question of how, when and with whom Frankie will couple narrows, the novel hits a disconcerting number of false notes: points of view shift with jarring speed, a bathetic account of a suicide bombing rankles and it is hard to care much about characters who utter such lines as "That's love, babe. You always have to give 200 percent." But Wasserstein gets the trappings and tribulations (of friendship and of romance) right, making her depiction of the rich and fab trying to connect with one another witty and entertaining.

    • Library Journal

      January 15, 2007
      Pulitzer Prize-winning playwright Wasserstein's only novel is witty, entertaining, cutting, and clever, with compelling social criticism. Taking place in post-9/11 New York City, this is a satiric tale of good vs. superficial, about the lives, dealings, and deception of New York's Upper East Side socialites. From both old money and nouveau riche, their existence seems to center around designer labels, chic shoes, fundraising, interior designers, and "hot" restaurants and resorts. Born in Queens, Frankie Weissman, the female protagonist, is an Ivy League Fifth Avenue doctor with a stern social conscience who lives modestly. She works diligently for a living treating the children of her social peers as well as the disadvantaged in East Harlem. She is lonely, frumpy, single, funny, and insightful. Throughout the story, the characters' lives change, danger imposes, crisis happens, couples swap partners, and later reconcile. The critical message here is that social power, style, and money do not ultimately protect anyone. Wasserstein was wonderfully funny, talented, and much-admired; she died last year of lymphoma at the age of 55. Read by Kathe Mazur, Elements of Style is an entertaining chick-lit novel filled with wit, humor, and sadness. Recommended for popular fiction collections.Carol Stern, Glen Cove P.L., NY

      Copyright 2007 Library Journal, LLC Used with permission.

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