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Daughter of Providence

Audiobook
1 of 1 copy available
1 of 1 copy available
Summer, 1934: Anne Dodge was raised by her old-money, New England Protestant father in the small coastal town of Warwick, Rhode Island. She has always been told that her Portuguese mother abandoned them when Anne was a small child, and died without ever contacting them again. After her mother's death, Anne learns that she has a half-sister, Maria Cristina, who was raised among Portuguese immigrants - and when Maria Cristina comes to stay with Anne and her father, ugly truths begin to surface about what really happened between her parents, catalyzing events that end in loss and rediscovery.
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    • AudioFile Magazine
      Anne Dodge lives with her father in a Depression-era mill town in Rhode Island. Her Portuguese mother left when she was 6-years-old, and, years later, after her mother's death, Anne learns she has a younger half-sister, Maria Cristina. The body of a young Portuguese man washes up on shore. Maria Cristina comes to live with Anne and her father. Problems ensue as secrets unfold. Thanks to Tavia Gilbert's sensitive reading, the structural flaws in this debut novel are less apparent, but immigration issues, politics, economic downturns, racial discrimination, a murder, and a slew of extraneous details clog the otherwise promising plot. Gilbert's Portuguese accent sounds more Italian than Portuguese, but her energy, pleasant voice, and intelligent performance keep the story from bogging down. S.J.H. (c) AudioFile 2011, Portland, Maine
    • Publisher's Weekly

      May 23, 2011
      It's 1934, and Anne Dodge, the heroine of Drew's promising but undercooked debut, has remained insulated from the economic hardships befalling Warwick, R.I. After all, her father, who owns the (currently closed) mill in town, is wealthy enough to have been coasting through the Depression. Anne's worries are more personal than politicalâher Portuguese mother left when Anne was just sixâand now Anne's past has come to call, when her younger half-sister, Maria Cristina, comes to live with Anne and her father. Anne tries to reconcile her father's evident hatred of Maria Cristina with her own fondness for the serious, almost saintly girl, just like she must balance her own unladylike aspirations to become a boatbuilder with her early forays into romance. Anne, 23, is a memorable heroine and narrator, though her perspective and voice can make her seem like a contemporary woman dressed up in 1930s costumes. Drew enjoys some success in addressing issues of the dayâparticularly those of race and class; the unionization debate less soâwhich lends a strong atmosphere to the family drama, but the big disappointment is the melodramatic conclusion; it doesn't do justice to an otherwise considered if slightly shaggy story.

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